Faculty publications from the Interdisciplinary Studies Department at Gettysburg College.

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2017

Remembering the Great War: Writing and Publishing the Experiences of WWI, Ian A. Isherwood

2016

The Poetics of Chinese Cinema, Gary Bettinson and James N. Udden

Language Evaluation: Classical Arabic Approaches, Abdulkareem Said Ramadan

2015

Contemporary Taiwanese Cinema, James N. Udden

Seediq Bale, James N. Udden

The Fourth Portrait, James N. Udden

2014

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Dust in the Wind: A Definitive Hou/New Cinema Work, James N. Udden

The Other Film International, James N. Udden

2013

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Master Shots: On the Set of Hou Hsiao-hsien's THE ASSASSIN, James N. Udden

Rodaje: The Assassin (Hou Hsiao-hsien), James N. Udden

Taiwan New Cinema: A Movement of Unintended Consequences, James N. Udden

2012

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Prehistory to 1250: Languages, Abdulkareem Said Ramadan

A Time to Live, a Time to Die, James N. Udden

City of Sadness, James N. Udden

Directors: Taiwan Hou Hsiao-Hsien, James N. Udden

Flowers of Shanghai, James N. Udden

Goodbye, South, Goodbye, James N. Udden

Good Men, Good Women, James N. Udden

In Search of Chinese Film Style(s) and Technique(s), James N. Udden

Kuei-Mei, A Woman, James N. Udden

Platform, James N. Udden

The Puppetmaster, James N. Udden

What Time is it There?, James N. Udden

2011

Blood Politics, Stephanie A. Sellers

Native Professor, Stephanie A. Sellers

On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism, James N. Udden

2009

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A Venus of Wild Nights: The Female Nude in Paintings by Judith Linhares, Shannon Egan

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Fruit and Fish: Alison Goodwin’s Reimaging of the Modernist Motif, Shannon Egan

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Mark Greenwold’s Excited Self, Shannon Egan

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Child of the Long Take: Alfonso Cuaron's Film Aesthetics in the Shadow of Globalization, James N. Udden

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No Man an Island: The Cinema of Hou Hsiao-hsien, James N. Udden

2008

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A Quiet Absorption: Paul Fenniak’s Realism, Shannon Egan

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Embodiment and Emptiness: Alison Rector’s Interior Spaces, Shannon Egan

2007

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Bright Lights on Quiet Streets: Tom Keough’s Nocturnes, Shannon Egan

Taiwan, James N. Udden

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This Time He Moves! The Deeper Significance of Hou Hsiao-Hsien's Radical Break in Good Men, Good Women, James N. Udden

2006

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'Yet in a Primitive Condition': Edward S. Curtis's The North American Indian, Shannon Egan

The Stubborn Persistence of the Local in Wong Kar-wai, James N. Udden