I am delighted to be part of the conversation surrounding this important work. Thomas Nail’s The Figure of the Migrant is one of those rare works that is at once timely and timeless. It is timely in the sense that the figure of the migrant has become a ubiquitous and undeniable reality of our time. As I write this at the end of spring 2016, the number of Syrian citizens displaced by civil war since 2011 has climbed to roughly 13.5 million; the United States is in the middle of its most racially charged presidential election of my lifetime (with one of the top party candidates running on a popular platform of draconian deportation of undocumented laborers and the severe restriction of immigration); the populations of Central Pacific island nations are being displaced in record numbers due to the effects of global climate change; and within the past week, several small boats carrying refugees from Libya have capsized off the coast of Italy, resulting in over one thousand deaths.These are but a few examples. As Nail notes, “At the turn of the century, there were more regional and international migrants than ever before in recorded history. Today, there are over 1 billion migrants. (excerpt)
This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution.
Cisney, Vernon. "Provocations in Consideration of Thomas Nail's The Figure of the Migrant." An und für sich (blog). June 21, 2016.
Required Publisher's Statement
Original version available online at https://itself.blog/2016/06/21/the-figure-of-the-migrant-provocations-in-consideration-of/