Authors

Nathan W. Cody '16, Gettysburg College

Document Type

Student Research Paper

Date of Creation

Spring 2016

Department

Latin American Studies

Abstract

The escape of thousands of war criminals to Argentina and throughout South America in the aftermath of World War II is a historical subject that has been clouded with mystery and conspiracy. Lucía Puenzo's film, The German Doctor, utilizes this historical enigma as a backdrop for historical fiction by imagining a family's encounter with Josef Mengele, the notorious SS doctor from Auschwitz who escaped to South America in 1949 under a false identity. While Puenzo sought to tell a story within a historical context, the film still has important historical commentaries. Ultimately, The German Doctor demonstrates the intersections of history, historical fiction, and historical myth as it perpetuates false conceptions and conspiracies and creates a new field of pseudo-history despite its historical fiction label.

Comments

Latin American, Caribbean and Latino Studies Senior Capstone