Faculty publications from the Interdisciplinary Studies Department at Gettysburg College.

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2021

Memoirs: Negotiating the Great War’s Social Memory, Ian A. Isherwood

2020

Battle of Loos, Ian A. Isherwood

2019

In G.O.D. We Trust: The Desert of the Religious in The Broom of the System, Vernon W. Cisney

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Something to do With a Girl Named Marla: Eros and Gender in David Fincher’s Fight Club, Vernon W. Cisney

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Review of Baptism of Fire: The Birth of the Modern British Fantastic in World War I, Ian A. Isherwood

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Review of Pandora's Box: A History of the First World War, Ian A. Isherwood

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Review of The War that Used up Words: American Writers and the First World War, by Hazel Hutchison, Ian A. Isherwood

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When the Hurlyburly's Done / When the Battle's Lost and Won: Service, Suffering, and Survival of Civil War and Great War Veterans, Ian A. Isherwood

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Conjunctions and Interjections in Modern Standard Arabic, Abdulkareem Said Ramadan

2018

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Deleuze and Derrida: Difference and the Power of the Negative, Vernon W. Cisney

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The Poststructuralist Broom of Wallace’s System: A Conversation Between Wittgenstein and Derrida, Vernon W. Cisney

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Running Wires: Digital History in the Classroom and the Field, Ian A. Isherwood, Amy E. Lucadamo, and R.C. Miessler

2017

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Remembering the Great War: Writing and Publishing the Experiences of WWI, Ian A. Isherwood

Gettysburg and the Great War, S. Marianne Johnson and Ian A. Isherwood

2016

The Poetics of Chinese Cinema, Gary Bettinson and James N. Udden

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Language Evaluation: Classical Arabic Approaches, Abdulkareem Said Ramadan

2015

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The First World War Letters of H.J.C. Peirs, Hugh John Chevallier Peirs

Contemporary Taiwanese Cinema, James N. Udden

Seediq Bale, James N. Udden

The Fourth Portrait, James N. Udden

2014

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Jan Powers, Professor Emerita of Interdisciplinary Studies and Women, Gender, and Sexuality Studies, Musselman Library and Janet M. Powers (April 15, 2014)

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Dust in the Wind: A Definitive Hou/New Cinema Work, James N. Udden

The Other Film International, James N. Udden

2013

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Master Shots: On the Set of Hou Hsiao-hsien's THE ASSASSIN, James N. Udden

Rodaje: The Assassin (Hou Hsiao-hsien), James N. Udden

Taiwan New Cinema: A Movement of Unintended Consequences, James N. Udden

2012

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Prehistory to 1250: Languages, Abdulkareem Said Ramadan

A Time to Live, a Time to Die, James N. Udden

City of Sadness, James N. Udden

Directors: Taiwan Hou Hsiao-Hsien, James N. Udden

Flowers of Shanghai, James N. Udden

Goodbye, South, Goodbye, James N. Udden

Good Men, Good Women, James N. Udden

In Search of Chinese Film Style(s) and Technique(s), James N. Udden

Kuei-Mei, A Woman, James N. Udden

Platform, James N. Udden

The Puppetmaster, James N. Udden

What Time is it There?, James N. Udden

2011

On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism, James N. Udden

2009

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A Venus of Wild Nights: The Female Nude in Paintings by Judith Linhares, Shannon Egan

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Fruit and Fish: Alison Goodwin’s Reimaging of the Modernist Motif, Shannon Egan

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Mark Greenwold’s Excited Self, Shannon Egan

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Child of the Long Take: Alfonso Cuaron's Film Aesthetics in the Shadow of Globalization, James N. Udden

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No Man an Island: The Cinema of Hou Hsiao-hsien, James N. Udden

2008

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A Quiet Absorption: Paul Fenniak’s Realism, Shannon Egan

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Embodiment and Emptiness: Alison Rector’s Interior Spaces, Shannon Egan

2007

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Bright Lights on Quiet Streets: Tom Keough’s Nocturnes, Shannon Egan

Taiwan, James N. Udden

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This Time He Moves! The Deeper Significance of Hou Hsiao-Hsien's Radical Break in Good Men, Good Women, James N. Udden

2006

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'Yet in a Primitive Condition': Edward S. Curtis's The North American Indian, Shannon Egan

The Stubborn Persistence of the Local in Wong Kar-wai, James N. Udden