Civil War Institute
If you read my last post on the Broadway musical Hamilton, you’ve already read my waxing admiration of the show and might also remember that I listen to the soundtrack non-stop. The musical has shown the world the power that music has as a teaching tool. As someone interested in nineteenth century American history, I long for a Hamilton-esque musical regarding the Civil War era. One of the reasons Hamilton is so successful is its ability to draw connections between past and present issues, and that can be done easily for nineteenth century America. Women’s rights, slavery, immigration, emancipation, and workers’ rights are all issues that plagued the nineteenth century and, in many ways, we deal with their legacy today. I have thought long and hard about how a musical about the nineteenth century would be executed and on whose life it would focus. The obvious choice would be to focus on Abraham Lincoln. Our sixteenth president’s story has equal parts success and personal tragedy. Lincoln, however, does not satisfy me as the protagonist in the way that Hamilton does. His story has been told many times over and. Comparatively speaking, retelling Lincoln’s story would be a similar choice to telling Washington’s story in the context of the Revolutionary War era. [excerpt]
This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution.
McNish, Megan E., "A Thaddeus Stevens Musical: A 19th Century Hamilton?" (2016). The Gettysburg Compiler: On the Front Lines of History. 157.