Document Type

Article

Publication Date

2-2015

Department 1

German

Abstract

The late Weimar film Der träumende Mund culminates in the apparent but unconfirmed suicide of its female protagonist, played by Elisabeth Bergner. Bergner, whose background contributed to the film’s Jewish reception, and who later claimed to have written the film’s screenplay, left Germany and went into exile with director Paul Czinner in 1932. This film and the circumstances of its production and premiere link tragic modes of self-erasure, including the suicides of both many women and many German Jews, to notions of escape, emigration, and reemergence. Its success among Jewish spectators points to its enduring and international appeal.

DOI

10.1353/gsr.2015.0046

Version

Post-Print

Required Publisher's Statement

This article is also available on the publisher's website.

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