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Class Year

2025

Document Type

Article

Abstract

Laura Ingalls Wilder’s Little House series has long been the subject of scholarly debate regarding its role in shaping perceptions of the American frontier. The Long Winter (1940) is a key text within these discussions, particularly when focusing on how the environment serves as a historical actor in shaping frontier experiences. Traditional frontier narratives, such as those proposed by Frederick Jackson Turner, emphasize individualism and perseverance in the face of adversity. While Wilder’s work reflects these ideals, it also reveals the harsh realities of environmental challenges on the frontier, particularly through its depiction of the winter of 1880-81 in the Dakota Territory.

Through an analysis of The Long Winter, this paper explores how Wilder’s narrative both upholds and complicates the “frontier myth.” Scholars such as Anne K. Phillips and Amanda Zastrow argue that Wilder’s work challenges male-dominated frontier narratives by highlighting women’s perspectives and resilience. Meanwhile, Anita Clair Fellman critiques the series for perpetuating an idealized version of self-sufficiency, questioning its historical accuracy. Richard Maxwell Brown’s concept of the “weather frontier” provides a framework for understanding how climate and natural disasters played a defining role in frontier life. By contextualizing Wilder’s portrayal of the 1880-81 winter within historical accounts and newspaper reports, this study illustrates how environmental hardship shaped frontier settlers’ experiences and survival strategies. The repeated blizzards, supply shortages, and reliance on communal ingenuity underscore the precariousness of frontier life.

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