Authors
Noa Leibson '20, Gettysburg College
Document Type
Student Research Paper
Publication Date
Fall 2017
Department 1
Art
Abstract
While collectors and scientists sought out the rarest and best preserved naturalia for their collections, others sought out and commissioned paintings and other forms of artifice to go beside them. One artist held in high regard during the era of curiosity cabinets was Guido Reni, artist of the famed ‘Aurora,’ a copy of which remains in the gallery today. Paintings like this one would have hung regally on the walls of curiosity cabinets, the beauty showing the potential of man, and the themes of nature and classics fitting right in with other pieces surrounding them. [excerpt]
Copyright Note
This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution.
Recommended Citation
Leibson, Noa, "Aurora: A Painting of the Coming Dawn" (2017). Wonders of Nature and Artifice. 5.
https://cupola.gettysburg.edu/wonders_exhibit/5
Included in
Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Fine Arts Commons, History of Science, Technology, and Medicine Commons, Industrial and Product Design Commons, Intellectual History Commons
Comments
Produced as part of a collaboration between Kay Etheridge's course FYS-188: Exploration of the Marvelous: Art and Science in the Renaissance, and Felicia Else's course ARTH 284: Wonders of Nature and Artifice: The Renaissance Quest for Knowledge.
Original version online at http://wonder-cabinet.sites.gettysburg.edu/2017/cabinet/aurora/