Class Year
2021
Document Type
Student Research Paper
Date of Creation
Fall 2020
Department 1
History
Abstract
Between 1865 and 1867, artists working for Northern illustrated newspapers travelled throughout the South to document its transition from slavery to a wage labor society. Perceiving themselves as the rightful reporters of Southern Reconstruction, these illustrators observed communities of newly freed African American men and women defining their vision of freedom. Northern artists often viewed the lives of African Americans through the cultural lens of free labor ideology in their efforts to provide documentary coverage of the South as objective observers. This paper will examine how illustrations of Harper’s Weekly and Frank Leslie’s Illustrated Newspaper reveal the contradictions between free labor ideology and the realities of Southern black women during early Reconstruction. Freedwomen’s efforts to define their emancipation were dually confronted with Southern vigilante violence, discrimination, and oppression as well as Northern pressures to pursue wage labor and construct respectable households. These illustrations only offered narrow glimpses into the lives of African American women as artists sketched narratives Northerners could use to gauge the success of their free labor experiment.
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Hauk, Carolyn, "The Contradictions of Freedom: Depictions of Freedwomen in Illustrated Newspapers, 1865-1867" (2020). Student Publications. 889.
https://cupola.gettysburg.edu/student_scholarship/889
Included in
African American Studies Commons, Cultural History Commons, Social History Commons, United States History Commons
Comments
Written for History 425: Seminar on the American Civil War