2024
The Other Ian, Ian A. Isherwood
2023
To Have Done With the Death of Philosophy: Derrida’s Theory and Practice Seminar, Vernon W. Cisney and Ryder M. Hobbs
Serpents of War: An American Officer's Story of World War I Combat and Captivity, Harry Dravo Parkin, Steven Trout, and Ian A. Isherwood
2021
Memoirs: Negotiating the Great War’s Social Memory, Ian A. Isherwood
2020
Battle of Loos, Ian A. Isherwood
2019
In G.O.D. We Trust: The Desert of the Religious in The Broom of the System, Vernon W. Cisney
Something to do With a Girl Named Marla: Eros and Gender in David Fincher’s Fight Club, Vernon W. Cisney
Review of Baptism of Fire: The Birth of the Modern British Fantastic in World War I, Ian A. Isherwood
Review of Pandora's Box: A History of the First World War, Ian A. Isherwood
Review of The War that Used up Words: American Writers and the First World War, by Hazel Hutchison, Ian A. Isherwood
When the Hurlyburly's Done / When the Battle's Lost and Won: Service, Suffering, and Survival of Civil War and Great War Veterans, Ian A. Isherwood
Conjunctions and Interjections in Modern Standard Arabic, Abdulkareem Said Ramadan
2018
Deleuze and Derrida: Difference and the Power of the Negative, Vernon W. Cisney
The Poststructuralist Broom of Wallace’s System: A Conversation Between Wittgenstein and Derrida, Vernon W. Cisney
Running Wires: Digital History in the Classroom and the Field, Ian A. Isherwood, Amy E. Lucadamo, and R.C. Miessler
2017
Remembering the Great War: Writing and Publishing the Experiences of WWI, Ian A. Isherwood
Gettysburg and the Great War, S. Marianne Johnson and Ian A. Isherwood
2016
The Poetics of Chinese Cinema, Gary Bettinson and James N. Udden
Language Evaluation: Classical Arabic Approaches, Abdulkareem Said Ramadan
2015
The First World War Letters of H.J.C. Peirs, Hugh John Chevallier Peirs
Contemporary Taiwanese Cinema, James N. Udden
Seediq Bale, James N. Udden
The Fourth Portrait, James N. Udden
2014
Jan Powers, Professor Emerita of Interdisciplinary Studies and Women, Gender, and Sexuality Studies, Musselman Library and Janet M. Powers (April 15, 2014)
Dust in the Wind: A Definitive Hou/New Cinema Work, James N. Udden
The Other Film International, James N. Udden
2013
Master Shots: On the Set of Hou Hsiao-hsien's THE ASSASSIN, James N. Udden
Rodaje: The Assassin (Hou Hsiao-hsien), James N. Udden
Taiwan New Cinema: A Movement of Unintended Consequences, James N. Udden
2012
Prehistory to 1250: Languages, Abdulkareem Said Ramadan
A Time to Live, a Time to Die, James N. Udden
City of Sadness, James N. Udden
Directors: Taiwan Hou Hsiao-Hsien, James N. Udden
Flowers of Shanghai, James N. Udden
Goodbye, South, Goodbye, James N. Udden
Good Men, Good Women, James N. Udden
In Search of Chinese Film Style(s) and Technique(s), James N. Udden
Kuei-Mei, A Woman, James N. Udden
Platform, James N. Udden
The Puppetmaster, James N. Udden
What Time is it There?, James N. Udden
2011
On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism, James N. Udden
2009
A Venus of Wild Nights: The Female Nude in Paintings by Judith Linhares, Shannon Egan
Fruit and Fish: Alison Goodwin’s Reimaging of the Modernist Motif, Shannon Egan
Mark Greenwold’s Excited Self, Shannon Egan
Child of the Long Take: Alfonso Cuaron's Film Aesthetics in the Shadow of Globalization, James N. Udden
No Man an Island: The Cinema of Hou Hsiao-hsien, James N. Udden
2008
A Quiet Absorption: Paul Fenniak’s Realism, Shannon Egan
Embodiment and Emptiness: Alison Rector’s Interior Spaces, Shannon Egan
2007
Bright Lights on Quiet Streets: Tom Keough’s Nocturnes, Shannon Egan
Taiwan, James N. Udden
This Time He Moves! The Deeper Significance of Hou Hsiao-Hsien's Radical Break in Good Men, Good Women, James N. Udden
2006
'Yet in a Primitive Condition': Edward S. Curtis's The North American Indian, Shannon Egan
The Stubborn Persistence of the Local in Wong Kar-wai, James N. Udden